Details
On Extremity
From Music to Images, Words, and ExperiencesExtreme Sounds Studies: Global Socio-Cultural Explorations
|
44,99 € |
|
| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 12.06.2023 |
| ISBN/EAN: | 9781666905212 |
| Sprache: | englisch |
| Anzahl Seiten: | 282 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<p><span>On Extremity: From Music to Images, Words, and Experiences</span><span> brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.</span></p>
<p></p>
<p><span>This collection brings together transdisciplinary scholarship on sounds, images, words, and experiences to reflect on extremity’s polysemic and polymorphic characteristics.</span></p>
<p><span>This collection brings together transdisciplinary scholarship on sounds, images, words, and experiences to reflect on extremity’s polysemic and polymorphic characteristics.</span></p>
<p><span>Chapter 1 - On Extremity: A Manifesto</span></p>
<p><span>Nelson Varas-Díaz, Niall Scott, and Bryan Bardine</span></p>
<p></p>
<p></p>
<p><a><span>SOUNDS</span></a></p>
<p></p>
<span>Chapter 2 - The Aesthetics of Extreme Sounds</span>
<span>Niall Scott</span>
<p></p>
<p><span>Chapter 3 - Essential Musicality: Extreme Music and the Sounds of Everyday Life</span></p>
<p><span>Ross Hagen</span></p>
<p></p>
<p><span>Chapter 4 - Extremities within Extremity: Sisterhood as Strategies of Resistance in the UK</span><span> U</span><span>nderground Metal Scene</span></p>
<p><span>Jasmine Hazel Shadrack</span></p>
<p></p>
<p><span>Chapter 5 - </span><span>Voices for the Voiceless: Animal Rights and Extremity in Extreme Music</span></p>
<p><span>Edward Banchs and Anna Chilewska</span></p>
<p></p>
<p><span>Chapter 6 - </span><span>No Satisfaction: Aihiyō after The Rolling Stones</span></p>
<p><span>Robin Purves </span></p>
<p></p>
<p></p>
<p><a><span>IMAGES AND WORDS</span></a></p>
<p></p>
<p><span>Chapter 7 - Extremity – Art – Decoloniality: Lessons for Survival in the Work of Puerto Rican Artist Rafael Trelles</span></p>
<p><span>Nelson Varas-Díaz</span></p>
<p></p>
<p><span>Chapter 8 - The Limits of Extremity: The Disappearance and Return of Extremity in Late Capitalism<br>Jason J. Wallin</span></p>
<p></p>
<p><span>Chapter 9 - Seeking the Banality in the Extreme: Prescient Identifiers of Vapid Narcissism in an Era of Post-Truth</span></p>
<p><span>Vivek Venkatesh</span></p>
<p></p>
<p><span>Chapter 10 - Quixotism and Extremity: Cervantes on Authenticity, Delusion, and Reality Literacy in Early and Late Modernity</span></p>
<p><span>Bradley J. Nelson</span></p>
<p></p>
<p><span>Chapter 11 - Devil Running Wild: Satan and his Minions in </span><span>Rosemary’s Baby, The Exorcist, </span><span>and</span><span> The Omen</span></p>
<p><span>Bryan Bardine</span></p>
<p></p>
<p></p>
<p><a><span>EXPERIENCES</span></a></p>
<p></p>
<p><span>Chapter 12 - Rethinking Extremity through Gender Detransition</span></p>
<p><span>Sheilla R. Madera and Alíxida Ramos Pibernus</span></p>
<p></p>
<p><span>Chapter 13 - </span><span>Para’o</span><span>: Exotic Wake, Extreme Performance and Marginality in San Juan, Puerto </span><span>Rico</span></p>
<p><span>Luis Javier Cintrón Gutiérrez</span></p>
<p></p>
<p><span>Chapter 14 - Pushing the Limits of the “Darkest” Dark Tourism in the Age of Extremity</span></p>
<p><span>Jeffrey S. Podoshen</span></p>
<p></p>
<p><span>Nelson Varas-Díaz, Niall Scott, and Bryan Bardine</span></p>
<p></p>
<p></p>
<p><a><span>SOUNDS</span></a></p>
<p></p>
<span>Chapter 2 - The Aesthetics of Extreme Sounds</span>
<span>Niall Scott</span>
<p></p>
<p><span>Chapter 3 - Essential Musicality: Extreme Music and the Sounds of Everyday Life</span></p>
<p><span>Ross Hagen</span></p>
<p></p>
<p><span>Chapter 4 - Extremities within Extremity: Sisterhood as Strategies of Resistance in the UK</span><span> U</span><span>nderground Metal Scene</span></p>
<p><span>Jasmine Hazel Shadrack</span></p>
<p></p>
<p><span>Chapter 5 - </span><span>Voices for the Voiceless: Animal Rights and Extremity in Extreme Music</span></p>
<p><span>Edward Banchs and Anna Chilewska</span></p>
<p></p>
<p><span>Chapter 6 - </span><span>No Satisfaction: Aihiyō after The Rolling Stones</span></p>
<p><span>Robin Purves </span></p>
<p></p>
<p></p>
<p><a><span>IMAGES AND WORDS</span></a></p>
<p></p>
<p><span>Chapter 7 - Extremity – Art – Decoloniality: Lessons for Survival in the Work of Puerto Rican Artist Rafael Trelles</span></p>
<p><span>Nelson Varas-Díaz</span></p>
<p></p>
<p><span>Chapter 8 - The Limits of Extremity: The Disappearance and Return of Extremity in Late Capitalism<br>Jason J. Wallin</span></p>
<p></p>
<p><span>Chapter 9 - Seeking the Banality in the Extreme: Prescient Identifiers of Vapid Narcissism in an Era of Post-Truth</span></p>
<p><span>Vivek Venkatesh</span></p>
<p></p>
<p><span>Chapter 10 - Quixotism and Extremity: Cervantes on Authenticity, Delusion, and Reality Literacy in Early and Late Modernity</span></p>
<p><span>Bradley J. Nelson</span></p>
<p></p>
<p><span>Chapter 11 - Devil Running Wild: Satan and his Minions in </span><span>Rosemary’s Baby, The Exorcist, </span><span>and</span><span> The Omen</span></p>
<p><span>Bryan Bardine</span></p>
<p></p>
<p></p>
<p><a><span>EXPERIENCES</span></a></p>
<p></p>
<p><span>Chapter 12 - Rethinking Extremity through Gender Detransition</span></p>
<p><span>Sheilla R. Madera and Alíxida Ramos Pibernus</span></p>
<p></p>
<p><span>Chapter 13 - </span><span>Para’o</span><span>: Exotic Wake, Extreme Performance and Marginality in San Juan, Puerto </span><span>Rico</span></p>
<p><span>Luis Javier Cintrón Gutiérrez</span></p>
<p></p>
<p><span>Chapter 14 - Pushing the Limits of the “Darkest” Dark Tourism in the Age of Extremity</span></p>
<p><span>Jeffrey S. Podoshen</span></p>
<p></p>
<p><span>Nelson Varas-Díaz </span><span>is professor of social-community psychology at Florida International University’s Department of Global and Sociocultural Studies. </span></p>
<p><span>Bryan Bardine</span><span> is professor in the English Department at the University of Dayton. </span></p>
<p><span>Niall W.R. Scott</span><span> is reader in philosophy and popular culture at the University of Central Lancashire. </span></p>
<p><span>Bryan Bardine</span><span> is professor in the English Department at the University of Dayton. </span></p>
<p><span>Niall W.R. Scott</span><span> is reader in philosophy and popular culture at the University of Central Lancashire. </span></p>
Diese Produkte könnten Sie auch interessieren:
Flow, Gesture, and Spaces in Free Jazz
von: Guerino Mazzola, Mathias Rissi, Paul B. Cherlin, Nathan Kennedy
53,49 €
Deutscher Rap - Eine Kunstform als Manifestation von Gewalt?
von: Martin Wiegel, Volker Wehdeking, Gunter E. Grimm
19,99 €
