Romances of the future, however fantastic they may be, have for most of us a perennial if mild interest, since they are born of a very common feeling—a sense of dissatisfaction with the existing order of things, combined with a vague faith in or hope of a better one to come. The picture put before us is false; we knew it would be false before looking at it, since we cannot imagine what is unknown any more than we can build without materials. Our mental atmosphere surrounds and shuts us in like our own skins; no one can boast that he has broken out of that prison. The vast, unbounded prospect lies before us, but, as the poet mournfully adds, "clouds and darkness rest upon it." Nevertheless we cannot suppress all curiosity, or help asking one another, What is your dream—your ideal? What is your News from Nowhere, or, rather, what is the result of the little shake your hand has given to the old pasteboard toy with a dozen bits of colored glass for contents? And, most important of all, can you present it in a narrative or romance which will enable me to pass an idle hour not disagreeably? How, for instance, does it compare in this respect with other prophetic books on the shelf?
I am not referring to living authors; least of all to that flamingo of letters who for the last decade or so has been a wonder to our island birds. For what could I say of him that is not known to every one—that he is the tallest of fowls, land or water, of a most singular shape, and has black-tipped crimson wings folded under his delicate rose-colored plumage? These other books referred to, written, let us say, from thirty or forty years to a century or two ago, amuse us in a way their poor dead authors never intended. Most amusing are the dead ones who take themselves seriously, whose books are pulpits quaintly carved and decorated with precious stones and silken canopies in which they stand and preach to or at their contemporaries.
In like manner, in going through this book of mine after so many years I am amused at the way it is colored by the little cults and crazes, and modes of thought of the 'eighties of the last century. They were so important then, and now, if remembered at all, they appear so trivial! It pleases me to be diverted in this way at "A Crystal Age"—to find, in fact, that I have not stood still while the world has been moving.
This criticism refers to the case, the habit, of the book rather than to its spirit, since when we write we do, as the red man thought, impart something of our souls to the paper, and it is probable that if I were to write a new dream of the future it would, though in some respects very different from this, still be a dream and picture of the human race in its forest period.
Alas that in this case the wish cannot induce belief! For now I remember another thing which Nature said—that earthly excellence can come in no way but one, and the ending of passion and strife is the beginning of decay. It is indeed a hard saying, and the hardest lesson we can learn of her without losing love and bidding good-by forever to hope.
W. H. H.
At length the joyful day arrived when I was to cease, in outward appearance at all events, to be an alien; for returning at noon from the fields, on entering my cell I beheld my beautiful new garments—two complete suits, besides underwear: one, the most soberly colored, intended only for working hours; but the second, which was for the house, claimed my first attention. Trembling with eagerness, I flung off the old tweeds, the cracked boots, and other vestiges of a civilization which they had perhaps survived, and soon found that I had been measured with faultless accuracy; for everything, down to the shoes, fitted to perfection. Green was the prevailing or ground tint—a soft sap green; the pattern on it, which was very beautiful, being a somewhat obscure red, inclining to purple. My delight culminated when I drew on the hose, which had, like those worn by the others, a curious design, evidently borrowed from the skin of some kind of snake. The ground color was light green, almost citron yellow, in fact, and the pattern a bright maroon red, with bronze reflections.
I had no sooner arrayed myself than, with a flushed face and palpitating heart, I flew to exhibit myself to my friends, and found them assembled and waiting to see and admire the result of their work. The pleasure I saw reflected in their transparent faces increased my happiness a hundredfold, and I quite astonished them with the torrent of eloquence in which I expressed my overflowing gratitude.
"Now, tell me one secret," I exclaimed, when the excitement began to abate a little. "Why is green the principal color in my clothes, when no other person in the house wears more than a very little of it?"
I had no sooner spoken than I heartily wished that I had held my peace; for it all at once occurred to me that green was perhaps the color for an alien or mere hireling, in which light they perhaps regarded me.
"Oh, Smith, can you not guess so simple a thing?" said Edra, placing her white hands on my shoulders and smiling straight into my face.
How beautiful she looked, standing there with her eyes so near to mine! "Tell me why, Edra?" I said, still with a lingering apprehension.
"Why, look at the color of my eyes and skin—would this green tint be suitable for me to wear?"
"Oh, is that the reason!" cried I, immensely relieved. "I think, Edra, you would look very beautiful in any color that is on the earth, or in the rainbow above the earth. But am I so different from you all?"
"Oh yes, quite different—have you never looked at yourself? Your skin is whiter and redder, and your hair has a very different color. It will look better when it grows long, I think. And your eyes—do you know that they never change! for when we look at you closely they are still blue-gray, and not green."
"No; I wish they were," said I. "Now I shall value my clothes a hundred times more, since you have taken so much pains to make them—well, what shall I say?—harmonize, I suppose, with the peculiar color of my mug. Dash it all, I'm blundering again! I mean—I mean—don't you know——"
Edra laughed and gave it up. Then we all laughed; for now evidently my blundering did not so much matter, since I had shed my outer integument, and come forth like a snake (with a divided tail) in a brand new skin.
Presently I missed Yoletta from the room, and desiring above all things to have some word of congratulation from her lips, I went off to seek her. She was standing under the portico waiting for me. "Come," she said, and proceeded to lead me into the music-room, where we sat down on one of the couches close to the dais; there she produced some large white tablets, and red chalk pencils or crayons.
"Now, Smith, I am going to begin teaching you," said she, with the grave air of a young schoolmistress; "and every afternoon, when your work is done, you must come to me here."
"I hope I am very stupid, and that it will take me a long time to learn," said I.
"Oh"—she laughed—"do you think it will be so pleasant sitting by me here? I am glad you think that; but if you prefer me for a teacher you must not try to be stupid, because if you do I shall ask some one else to take my place."
"Would you really do that, Yoletta?"
"Yes. Shall I tell you why? Because I have a quick, impatient temper. Everything wrong I have ever done, for which I have been punished, has been through my hasty temper."
"And have you ever undergone that sad punishment of being shut up by yourself for many days, Yoletta?"
"Yes, often; for what other punishment is there? But oh, I hope it will never happen again, because I think—I know that I suffer more than any one can imagine. To tread on the grass, to feel the sun and wind on my face, to see the earth and sky and animals—this is like life to me; and when I am shut up alone, every day seems—oh, a year at least!" She did not know how much dearer this confession of one little human weakness made her seem to me. "Come, let us begin," she said. "I waited for your new clothes to be finished, and we must make up for lost time."
"But do you know, Yoletta, that you have not said anything about them? Do I look nice; and will you like me any better now?"
"Yes, much better. You were a poor caterpillar before; I liked you a little because I knew what a pretty butterfly you would be in time. I helped to make your wings. Now, listen."
For two hours she taught me, making her red letters or marks, which I copied on my tablet, and explaining them to me; and at the conclusion of the lesson, I had got a general idea that the writing was to a great extent phonographic, and that I was in for rather a tough job.
"Do you think that you will be able to teach me to sing also?" I asked, when she had put the tablets aside.
The memory of that miserable failure, when I "had led the singing," was a constant sore in my mind. I had begun to think that I had not done myself justice on that memorable occasion, and the desire to make another trial under more favorable circumstances was very strong in me.
She looked a little startled at my question, but said nothing.
"I know now," I continued pleadingly, "that you all sing softly. If you will only consent to try me once I promise to stick like cobbler's wax—I beg your pardon, I mean I will endeavor to adhere to the morendo and perdendosi style—don't you know? What am I saying! But I promise you, Yoletta, I shan't frighten you, if you will only let me try and sing to you once."
She turned from me with a somewhat clouded expression of face, and walked with slow steps to the dais, and placing her hands on the keys, caused two of the small globes to revolve, sending soft waves of sound through the room.
I advanced towards her, but she raised her hand apprehensively. "No, no, no; stand there," she said, "and sing low."
It was hard to see her troubled face and obey, but I was not going to bellow at her like a bull, and I had set my heart on this trial. For the last three days, while working in the fields, I had been incessantly practicing my dear old master Campana's exquisite M'appar sulla tomba, the only melody I happened to know which had any resemblance to their divine music. To my surprise she seemed to play as I sang a suitable accompaniment on the globes, which aided and encouraged me, and, although singing in a subdued tone, I felt that I had never sung so well before. When I finished, I quite expected some word of praise, or to be asked why I had not sung this melody on that unhappy evening when I was asked to lead; but she spoke no word.
"Will you sing something now?" I said.
"Not now—this evening," she replied absently, slowly walking across the floor with eyes cast down.
"What are you thinking of, Yoletta, that you look so serious?" I asked.
"Nothing," she returned, a little impatiently.
"You look very solemn about nothing, then. But you have not said one word about my singing—did you not like it?"
"Your singing? Oh no! It was a pleasant-tasting little kernel in a very rough rind—I should like one without the other."
"You talk in riddles, Yoletta; but I'm afraid the answers to them would not sound very flattering to me. But if you would like to know the song I shall be only too glad to teach it to you. The words are in Italian, but I can translate them."
"The words?" she said absently.
"The words of the song," I said.
"I do not know what you mean by the words of a song. Do not speak to me now, Smith."
"Oh, very well," said I, thinking it all very strange, and sitting down I divided my attention between my beautiful hose and Yoletta, still slowly pacing the floor with that absent look on her face.
At length the curious mood changed, but I did not venture to talk any more about music, and before very long we repaired to the eating-room, where, for the next two or three hours, we occupied ourselves very agreeably with those processes which, some new theorist informs us, constitute our chief pleasure in life.
That evening I overheard a curious little dialogue. The father of the house, as I had now grown accustomed to call our head, after rising from his seat, stood for a few minutes talking near me, while Yoletta, with her hand on his arm, waited for him to finish. When he had done speaking, and turned to her, she said in a low voice, which I, however, overheard: "Father, I shall lead to-night."
He put his hand on her head, and, looking down, studied her upturned face. "Ah, my daughter," he said with a smile, "shall I guess what has inspired you to-day? You have been listening to the passage birds. I also heard them this morning passing in flocks. And you have been following them in thought far away into those sun-bright lands where winter never comes."
"No, father," she returned, "I have only been a little way from home in thought—only to that spot where the grass has not yet grown to hide the ashes and loose mold." He stooped and kissed her forehead, and then left the room; and she, never noticing the hungry look with which I witnessed the tender caress, also went away.
That some person was supposed to lead the singing every evening I knew, but it was impossible for me ever to discover who the leader was; now, however, after overhearing this conversation, I knew that on this particular occasion it would be Yoletta, and in spite of the very poor opinion she had expressed of my musical abilities, I was prepared to admire the performance more than I had ever done before.
It commenced in the usual mysterious and indefinable manner; but after a time, when it began to shape itself into melodies, the idea possessed me that I was listening to strains once familiar, but long unheard and forgotten. At length I discovered that this was Campana's music, only not as I had ever heard it sung; for the melody of M'appar sulla tomba had been so transmuted and etherealized, as it were, that the composer himself would have listened in wondering ecstasy to the mournful strains, which had passed through the alembic of their more delicately organized minds. Listening, I remembered with an unaccountable feeling of sadness, that poor Campana had recently died in London; and almost at the same moment there came to me a remembrance of my beloved mother, whose early death was my first great grief in boyhood. All the songs I had ever heard her sing came back to me, ringing in my mind with a wonderful joy, but ever ending in a strange, funereal sadness. And not only my mother, but many a dear one besides returned "in beauty from the dust" appeared to be present—white-haired old men who had spoken treasured words to me in bygone years; schoolfellows and other boyish friends and companions; and men, too, in the prime of life, of whose premature death in this or that far-off region of the world-wide English empire I had heard from time to time. They came back to me, until the whole room seemed filled with a pale, shadowy procession, moving past me to the sound of that mysterious melody. Through all the evening it came back, in a hundred bewildering disguises, filling me with a melancholy infinitely precious, which was yet almost more than my heart could bear. Again and yet again that despairing Ah-i-me fell like a long shuddering sob from the revolving globes, and from voices far and near, to be taken up and borne yet further away by far-off, dying sounds, yet again responded to by nearer, clearer voices, in tones which seemed wrung "from the depths of some divine despair"; then to pass away, but not wholly pass, for all the hidden cells were stirred, and the vibrating air, like mysterious, invisible hands, swept the suspended strings, until the exquisite bliss and pain of it made me tremble and shed tears, as I sat there in the dark, wondering, as men will wonder at such moments, what this tempest of the soul which music wakes in us can mean: whether it is merely a growth of this our earth-life, or a something added, a divine hunger of the heart which is part of our immortality.
It seemed to me now that I had never really lived before so sweet was this new life—so healthy, and free from care and regret. The old life, which I had lived in cities, was less in my thoughts on each succeeding day; it came to me now like the memory of a repulsive dream, which I was only too glad to forget. How I had ever found that listless, worn-out, luxurious, do-nothing existence endurable, seemed a greater mystery every morning, when I went forth to my appointed task in the fields or the workhouse, so natural and so pleasant did it now seem to labor with my own hands, and to eat my bread in the sweat of my face. If there was one kind of work I preferred above all others, it was wood-cutting, and as a great deal of timber was required at this season, I was allowed to follow my own inclination. In the forest, a couple of miles from the house, several tough old giants—chiefly oak, chestnut, elm, and beech—had been marked out for destruction: in some cases because they had been scorched and riven by lightnings, and were an eyesore; in others, because time had robbed them of their glory, withering their long, desolate arms, and bestowing on their crowns that lusterless, scanty foliage which has a mournful meaning, like the thin white hairs on the bowed head of a very old man. At this distance from the house I could freely indulge my propensity for singing, albeit in that coarser tone which had failed to win favor with my new friends.
Among the grand trees, out of earshot of them all, I could shout aloud to my heart's content, rejoicing in the boisterous old English ballads, which, like John Peele's view-hallo,
"Might awaken the dead
Or the fox from his lair in the morning."
Meanwhile, with the frantic energy of a Gladstone out of office, I plied my ax, its echoing strokes making fit accompaniment to my strains, until for many yards about me the ground was littered with white and yellow chips; then, exhausted with my efforts, I would sit down to rest and eat my simple midday fare, to admire myself in my deep-green and chocolate working-dress, and, above everything, to think and dream of Yoletta.
In my walks to and from the forest I cast many a wistful look at a solitary flat-topped hill, almost a mountain in height, which stood two or three miles from the house, north of it, on the other side of the river. From its summit I felt sure that a very extensive view of the surrounding country might be had, and I often wished to pay this hill a visit. One afternoon, while taking my lesson in reading, I mentioned this desire to Yoletta.
"Come, then, let us go there now," said she, laying the tablets aside.
I joyfully agreed: I had never walked alone with her, nor, in fact, with her at all, since that first day when she had placed her hand in mine; and now we were so much nearer in heart to each other.
She led me to a point, half a mile from the house, where the stream rushed noisily over its stony bed and formed numerous deep channels between the rocks, and one could cross over by jumping from rock to rock. Yoletta led the way, leaping airily from stone to stone, while I, anxious to escape a wetting, followed her with caution; but when I was safe over, and thought our delightful walk was about to begin, she suddenly started off towards the hill at a swift pace, which quickly left me far behind. Finding that I could not overtake her, I shouted to her to wait for me; then she stood still until I was within three or four yards Of her, when off she fled like the wind once more. At length she reached the foot of the hill, and sat down there until I joined her.
"For goodness sake, Yoletta, let us behave like rational beings and walk quietly," I was beginning, when away she went again, dancing up the mountain-side with a tireless energy that amazed as well as exasperated me. "Wait for me just once more," I screamed after her; then, half-way up the side, she stopped and sat down on a stone.
"Now my chance has come," thought I, ready to make up for insufficient speed and wind by superior cunning, which would make us equal. "I will go quietly up and catch her napping, and hold her fast by the arm until the walk is finished. So far it has been nothing but a mad chase."
Slowly I toiled on, and then, when I got near her and was just about to execute my plan, she started nimbly away, with a merry laugh, and never paused again until the summit was reached. Thoroughly tired and beaten, I sat down to rest; but presently looking up I saw her at the top, standing motionless on a stone, looking like a statue outlined against the clear blue sky. Once more I got up and pressed on until I reached her, and then sank down on the grass, overcome with fatigue.
"When you ask me to walk again, Yoletta," I panted, "I shall not move unless I have a rope round your waist to pull you back when you try to rush off in that mad fashion. You have knocked all the wind out of me; and yet I was in pretty good trim."
She laughed, and jumping to the ground, sat down at my side on the grass.
I caught her hand and held it tight. "Now you shall not escape and run away again," said I.
"You may keep my hand," she replied; "it has nothing to do up here."
"May I put it to some useful purpose—may I do what I like with it?"
"Yes, you may," then she added with a smile: "There is no thorn in it now."
I kissed it many times on the back, the palm, the wrist then bestowed a separate caress on each finger-tip.
"Why do you kiss my hand?" she asked.
"Do you not know—can you not guess? Because it is the sweetest thing I can kiss, except one other thing. Shall I tell you——"
"My face? And why do you not kiss that?"
"Oh, may I?" said I, and drawing her to me I kissed her soft cheek. "May I kiss the other cheek now?" I asked. She turned it to me, and when I had kissed it rapturously, I gazed into her eyes, which looked back, bright and unabashed, into mine. "I think—I think I made a slight mistake, Yoletta," I said. "What I meant to ask was, will you let me kiss you where I like—on your chin, for instance, or just where I like?"
"Yes; but you are keeping me too long. Kiss me as many times as you like, and then let us admire the prospect."
I drew her closer and kissed her mouth, not once nor twice, but clinging to it with all the ardor of passion, as if my lips had become glued to hers.
Suddenly she disengaged herself from me. "Why do you kiss my mouth in that violent way?" she exclaimed, her eyes sparkling, her cheeks flushed. "You seem like some hungry animal that wanted to devour me."
That was, oddly enough, just how I felt. "Do you not not know, sweetest, why I kiss you in that way? Because I love you."
"I know you do, Smith. I can understand and appreciate your love without having my lips bruised."
"And do you love me, Yoletta?"
"Yes, certainly—did you not know that?"
"And is it not sweet to kiss when you love? Do you know what love is, darling? Do you love me a thousand times more than any one else in the world?"
"How extravagantly you talk!" she replied. "What strange things you say!"
"Yes, dear, because love is strange—the strangest, sweetest thing in life. It comes once only to the heart, and the one person loved is infinitely more than all others. Do you not understand that?"
"Oh no; what do you mean, Smith?"
"Is there any other person dearer to your heart than I am?"
"I love every one in the house, some more than others. Those that are closely related to me I love most."
"Oh, please say no more! You love your people with one kind of love, but me with a different love—is it not so?"
"There is only one kind of love," said she.
"Ah, you say that because you are a child yet, and do not know. You are even younger than I thought, perhaps. How old are you, dear?"
"Thirty-one years old," she replied, with the utmost gravity.
"Oh, Yoletta, what an awful cram! I mean—oh, I beg your pardon for being so rude! But—but don't you think you can draw it mild? Thirty-one—what a joke! Why, I'm an old fellow compared with you, and I'm not twenty-two yet. Do tell me what you mean, Yoletta?"
She was not listening to me, I saw: she had risen from the grass and seated herself again on the stone. For only answer to my question she pointed to the west with her hand, saying: "Look there, Smith."
I stood up and looked. The sun was near the horizon now, and partially concealed by low clouds, which were beginning to form—gray, and tinged with purple and red; but their misty edges burned with an intense yellow flame. Above, the sky was clear as blue glass, barred with pale-yellow rays, shot forth by the sinking sun, and resembling the spokes of an immense celestial wheel reaching to the zenith. The billowy earth, with its forests in deep green and many-colored, autumnal foliage, stretched far before us, here in shadow, and there flushed with rich light; while the mountain range, looming near and stupendous on our right, had changed its color from dark blue to violet.
The doubts and fears agitating my heart made me indifferent to the surpassing beauty of the scene: I turned impatiently from it to gaze again on her graceful figure, girlish still in its slim proportions; but her face, flushed with sunlight, and crowned with its dark, shining hair, seemed to me like the face of one of the immortals. The expression of rapt devotion on it made me silent, for it seemed as if she too had been touched by nature's magic, like earth and sky, and been transfigured; and waiting for the mood to pass, I stood by her side, resting my hand on her knee. By-and-by she looked down and smiled, and then I returned to the subject of her age.
"Surely, Yoletta," said I, "you were only poking fun at me—I mean, amusing yourself at my expense. You can't possibly be more than about fifteen, or sixteen at the very outside."
She smiled again and shook her head.
"Oh, I know, I can solve the riddle now. Your years are different, of course, like everything else in this latitude. A month is called a year with you, and that would make you, let me see—how much is twelve times thirty-one? Oh, hang it, nearly five hundred, I should think. Why am I such a duffer at mental arithmetic! It is just the contrary—how many twelves in thirty-one? About two and a half in round numbers, and that's absurd, as you are not a baby. Oh, I have it: your seasons are called years, of course—why didn't I see it before! No, that would make you only seven and a half. Ah, yes, I see it now: a year means two years, or two of your years—summer and winter—mean a year; and that just makes you sixteen, exactly what I had imagined. Is it not so, Yoletta?"
"I do not know what you are talking about, Smith; and I am not listening."
"Well, listen for one moment, and tell me how long does a year last?"
"It lasts from the time the leaves fall in the autumn until they fall again; and it lasts from the time the swallows come in spring until they come again."
"And seriously, honestly, you are thirty-one years old?"
"Did I not tell you so? Yes, I am thirty-one years old."
"Well, I never heard anything to equal this! Good heavens, what does it mean? I know it is awfully rude to inquire a lady's age, but what am I to do? Will you kindly tell me Edra's age?"
"Edra? I forget. Oh yes; she is sixty-three."
"Sixty-three! I'll be shot if she's a day more than twenty-eight! Idiot that I am, why can't I keep calm! But, Yoletta, how you distress me! It almost frightens me to ask another question, but do tell me how old your father is?"
"He is nearly two hundred years old—a hundred and ninety-eight, I think," she replied.
"Heavens on earth—I shall go stark, staring mad!" But I could say no more; leaving her side I sat down on a low stone at some distance, with a stunned feeling in my brain, and something like despair in my heart. That she had told me the truth I could no longer doubt for one moment: it was impossible for her crystal nature to be anything but truthful. The number of her years mattered nothing to me; the virgin sweetness of girlhood was on her lips, the freshness and glory of early youth on her forehead; the misery was that she had lived thirty-one years in the world and did not understand the words I had spoken to her—did not know what love, or passion, was! Would it always be so—would my heart consume itself to ashes, and kindle no fire in hers?
Then, as I sat there, filled with these despairing thoughts, she came down from her perch, and, dropping on her knees before me, put her arms about my neck and gazed steadily into my face. "Why are you troubled, Smith-have I said anything to hurt you?" said she. "And do you not know that you have offended me?"
"Have I? Tell me how, dearest Yoletta."
"By asking questions, and saying wild, meaningless things while I sat there watching the setting sun. It troubled me and spoiled my pleasure; but I will forgive you, Smith, because I love you. Do you not think I love you enough? You are very dear to me—dearer every day." And drawing down my face she kissed my lips.
"Darling, you make me happy again," I returned, "for if your love increases every day, the time will perhaps come when you will understand me, and be all I wish to me."
"What is it that you wish?" she questioned.
"That you should be mine—mine alone, wholly mine—and give yourself to me, body and soul."
She continued gazing up into my eyes. "In a sense we do, I suppose, give ourselves, body and soul, to those we love," she said. "And if you are not yet satisfied that I have given myself to you in that way, you must wait patiently, saying and doing nothing willfully to alienate my heart, until the time arrives when my love will be equal to your desire. Come," she added, and, rising, pulled me up by the hand.
Silently, and somewhat pensively, we started hand in hand on our walk down the hill. Presently she dropped on her knees, and opening the grass with her hands, displayed a small, slender bud, on a round, smooth stem, springing without leaves from the soil. "Do you see!" she said, looking up at me with a bright smile.
"Yes, dear, I see a bud; but I do not know anything more about it."
"Oh, Smith, do you not know that it is a rainbow lily!" And rising, she took my hand and walked on again.
"What is the rainbow lily?"
"By-and-by, in a few days, it will be in fullest bloom, and the earth will be covered with its glory."
"It is so late in the season, Yoletta! Spring is the time to see the earth covered with the glory of flowers."
"There is nothing to equal the rainbow lily, which comes when most flowers are dead, or have their bright colors tarnished. Have you lived in the moon, Smith, that I have to tell you these things?"
"No, dear, but in that island where all things, including flowers, were different."
"Ah, yes; tell me about the island."
Now "that island" was an unfortunate subject, and I was not prepared to break the resolution I had made of prudently holding my tongue about its peculiar institutions. "How can I tell you?—how could you imagine it if I were to tell you?" I said, evading the question. "You have seen the heavens black with tempests, and have felt the lightnings blinding your eyes, and have heard the crash of the thunder: could you imagine all that if you had never witnessed it, and I described it to you?"
"No."
"Then it would be useless to tell you. And now tell me about the rainbow lilies, for I am a great lover of flowers."
"Are you? Is it strange you should have a taste common to all human beings?" she returned with a pretty smile. "But it is easier to ask questions than to answer them. If you had never seen the sun setting in glory, or the midnight sky shining with myriads of stars, could you imagine these things if I described them to you?"
"No."
"That word is an echo, Smith. You must wait for the earth to bring forth her rainbow lilies, and the heart its love."