Details

A Companion to Arthur C. Danto


A Companion to Arthur C. Danto


Blackwell Companions to Philosophy 1. Aufl.

von: Jonathan Gilmore, Lydia Goehr

156,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 19.04.2022
ISBN/EAN: 9781119154235
Sprache: englisch
Anzahl Seiten: 432

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Beschreibungen

<p><i>A Companion to Arthur C. Danto</i> paints a detailed portrait of one the most significant figures in twentieth-century philosophy and art criticism, offering unparalleled coverage of all aspects of Danto’s writings, artworks, and thought. Edited by two long-time colleagues of Arthur Danto, this interdisciplinary resource presents more than 40 original essays from both prominent Danto scholars and leading practitioners from various sub-fields of philosophy. <p>The <i>Companion </i>illuminates Danto’s many contributions to the artworld, aesthetics, criticism, and philosophy of knowledge, action, science, history, and politics. The essays explore central concepts and intersecting themes in Danto’s writings while providing new interventions into the areas of philosophy in which Danto engaged. Topics include Danto’s mode of writing and art production, his critical engagement with artists and philosophers, conflicts in Danto’s views and in interpretations of his works, and much more. <p>An important addition to Danto studies, <i>A Companion to Arthur C. Danto</i> is essential reading for practitioners, scholars, and advanced students looking for a critical, provocative, and insightful treatment of Danto’s philosophy, art, and criticism.
<p>Preface viii<br /><i>Jonathan Gilmore and Lydia Goehr</i></p> <p>Notes on Contributorsx</p> <p>Introduction: Five Pieces for Arthur Danto (1924–2013) <i>In memoriam </i>1<br /><i>Lydia Goehr, Daniel Herwitz, Fred Rush, Michael Kelly, and Jonathan Gilmore</i></p> <p>1 Roquebrune, 1962 15<br /><i>Ginger Danto</i></p> <p>2 Boundaries Crossed 18<br /><i>András Szántó</i></p> <p>3 Writing with Style 26<br /><i>Arturo Fontaine</i></p> <p>4 Sartre, Transparency, and Style 33<br /><i>Taylor Carman</i></p> <p>5 Nietzsche and Historical Understanding 42<br /><i>Robert Gooding-Williams</i></p> <p>6 Pragmatism between Art and Life 51<br /><i>Richard Shusterman</i></p> <p>7 Danto on Dewey (and Dewey on Danto) 59<br /><i>Casey Haskins</i></p> <p>8 Thought Experiments: Art and Ethics 68<br /><i>F. M. Kamm</i></p> <p>9 A Normative Perspective on Basic Actions 76<br /><i>Carol Rovane</i></p> <p>10 Cognitive Science and Art Criticism 85<br /><i>Mark Rollins</i></p> <p>11 Perception 93<br /><i>Sam Rose and Bence Nanay</i></p> <p>12 The Anthropology of Art 103<br /><i>David Davies</i></p> <p>13 The Birth of Art 112<br /><i>Whitney Davis</i></p> <p>14 The End of Art 124<br /><i>Georg W. Bertram</i></p> <p>15 Representation, Truth, and Historical Reality 132<br /><i>Frank Ankersmit</i></p> <p>16 History and Retrospection 143<br /><i>Noël Carroll</i></p> <p>17 Action in the Shadow of Time 152<br /><i>Adrian Haddock</i></p> <p>18 The Sixties 162<br /><i>Espen Hammer</i></p> <p>19 Criticism and the Pale of History 170<br /><i>Gregg M. Horowitz</i></p> <p>20 Postmodernism and Its Discontents 180<br /><i>David Carrier</i></p> <p>21 Shakespeare and the Repetition of the Commonplace 190<br /><i>Rachel Eisendrath</i></p> <p>22 Engaging Henry James: The Metaphorical Perspective 199<br /><i>Garry L. Hagberg</i></p> <p>23 Literature, Philosophy, Persona, Politics 207<br /><i>Richard Eldridge</i></p> <p>24 Moving Pictures 216<br /><i>Fred Rush</i></p> <p>25 Photography and Danto’s Craft of the Mind 223<br /><i>Scott Walden</i></p> <p>26 Transfiguration/Transubstantiation 233<br /><i>Sixto J. Castro</i></p> <p>27 Embodiment and Medium 240<br /><i>Tiziana Andina</i></p> <p>28 The Style Matrix 248<br /><i>Sondra Bacharach</i></p> <p>29 Disenfranchisement 256<br /><i>Jane Forsey</i></p> <p>30 Definition 263<br /><i>Karlheinz Lüdeking</i></p> <p>31 Danto and Dickie: Artworld and Institution 273<br /><i>Michalle Gal</i></p> <p>32 Danto and Wittgenstein: History and Essence 281<br /><i>Sonia Sedivy</i></p> <p>33 Censorship and Subsidy 292<br /><i>Brian Soucek</i></p> <p>34 Amnesty International and Human Rights 301<br /><i>Emma Stone Mackinnon</i></p> <p>35 Random Noise, Radical Silence 309<br /><i>Marlies De Munck</i></p> <p>36 Mad Men and Pop Art 317<br /><i>Sue Spaid</i></p> <p>37 Vija Celmins: Nature at Art’s End 326<br /><i>Sandra Shapshay</i></p> <p>38 The Meaning of Ugliness, The Authority of Beauty 336<br /><i>J. M. Bernstein</i></p> <p>39 Feminist Criticism: On Disturbatory Art and Beauty 345<br /><i>Peg Brand Weiser</i></p> <p>40 Beauty and Politics 355<br /><i>Matilde Carrasco Barranco</i></p> <p>41 Public Art: Monuments, Memorials, and Earthworks 363<br /><i>Gary Shapiro</i></p> <p>42 On Architecture 373<br /><i>Remei Capdevila-Werning</i></p> <p>43 Aliveness and Aboutness: Yvonne Rainer’s Dance Indiscernibles 381<br /><i>Kyle Bukhari</i></p> <p>44 Arthur and Andy 389<br /><i>Daniel Herwitz</i></p> <p>45 Letter to Posterity 397<br /><i>Arthur C. Danto</i></p> <p>Index 404</p>
<p><b>Jonathan Gilmore</b> is an Associate Professor of Philosophy at the City University of New York (CUNY) Graduate Center and Baruch College, New York, USA. A philosopher of art and an art critic, he is the recipient of NEH, Whiting, Mellon, and other national fellowships and awards. His most recent book, <i>Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind</i>, was awarded the 2021 Outstanding Monograph Prize by the American Society for Aesthetics.</p> <p><b>Lydia Goehr</b> is a Professor of Philosophy at Columbia University, New York, USA. She is a recipient of Mellon, Getty, and Guggenheim Fellowships. Her works include <i>The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music</i>, <i>The Quest for Voice: Music, Politics, and the Limits of Philosophy</i>, <i>Elective Affinities: Musical Essays on the History of Aesthetic Theory</i>, and <i>Red Sea, Red Square, Red Thread. A Philosophical Detective Story</i>.</p>
<p><i>A Companion to Arthur C. Danto</i> paints a detailed portrait of one the most significant figures in twentieth-century philosophy and art criticism, offering coverage of Danto’s writings, artworks, and thought. Edited by two long-time colleagues of Arthur Danto, this interdisciplinary resource presents more than 40 original essays from prominent scholars and new voices from various sub-fields of philosophy and the arts.</p> <p>The <i>Companion</i> illuminates Danto’s many contributions to the artworld, aesthetics, criticism, and philosophy of action, history, and politics. The essays explore central concepts and intersecting themes in Danto’s writings while providing interventions into the areas of philosophy in which Danto engaged.</p> <p><i>A Companion to Arthur C. Danto</i> is essential reading for practitioners, scholars, and advanced students looking for a critical, provocative, and insightful treatment of Danto’s philosophy and art criticism.</p>

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