Details

Some Keywords in Dickens


Some Keywords in Dickens


Close Reading 1. Edition 2021

von: Michael Hollington, Francesca Orestano, Nathalie Vanfasse, Maria Teresa Chialant, Michael Eaton, Nathalie Jaëck, Ewa Kujawska-Lis, Peter Merchant, Lillian Nayder, Jeremy Parrott, Céline Prest, Magdalena Pypec, Dominic Rainsford, Victor Sage, Jeremy Tambling

35,00 €

Verlag: V&R Unipress
Format: PDF
Veröffentl.: 09.08.2021
ISBN/EAN: 9783847013150
Sprache: englisch
Anzahl Seiten: 247

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Beschreibungen

This volume shows how highly conscious Dickens was of words – of their meaning of course, and of the ideas they conjured up, but also of their very substance, texture, plasticity, visuality, and resonance, as well as their interactions with other words, and with their cultural environment. Each keyword is treated not as a semantic unit with a fixed meaning but rather as a flexible linguistic construct. Some keywords are just a word, a characteristic or even idiosyncratic lexical unit; some are treated as a load-bearing conceptual category or theme; some disintegrate into noise, complicating readers' assumptions about what a keyword must be. The focus shifts from "word" at micro- to macro-levels of signification, at times denoting wider cultural usage. Dynamic relations, oppositions, correlations and overlappings result from these individualized reading journeys, creating unforeseen and rich systems of meaning.
Michael Hollington is Life Member of Clare Hall, Cambridge University, and best known as a Dickensian for his book "Dickens and the Grotesque", and two edited collections, "Charles Dickens: Critical Assessments" in 4 volumes and "The Reception of Charles Dickens" in 2.

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