Details
Surveillance, Race, Culture
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96,29 € |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 31.07.2018 |
| ISBN/EAN: | 9783319779386 |
| Sprache: | englisch |
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Beschreibungen
This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In <i>Surveillance, Race, Culture</i> Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging.
Introduction.- SECTION 1: SURVEILLANT TECHNOLOGIES.- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata.- Government Surveillance, Racism, and Civic Virtue in the United States.- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen.- Medical Gazing and the ‘Oprah Effect’ in <i>The Immortal Life of Henrietta Lacks</i> (2017).- SECTION 2: SCREEN.- Images of Black Identity: Spaces in-Between.-Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in <i>Homeland</i><i>.- </i>Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp’s <i>District 9</i><i>.- </i>Intersectional Digital Dynamics and Racially Profiled Black Celebrities.- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION.- Let him be left to feel his way in the dark;” Frederick Douglass: White Surveillance and Dark Sousveillance.- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War.- <i>Cops </i>and Incarceration:Constructing Racial Narratives in Reality TV’s Prisons.- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism.- We lived with death right at our backs.” Surveillance Experiences of Black Panther Party Activists.- Epilogue: Surveilling Culture.
<div>Susan Flynn is Senior Lecturer in Media Communications at the University of the Arts, London, UK. She specialises in digital media, identity and equality studies.</div><div><br></div><div>Antonia Mackay is Associate Lecturer in English Literature at Oxford Brookes University, UK, specialising in American literature, culture and theatre.</div><div><br></div><div><br></div>
This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In <i>Surveillance, Race, Culture</i> Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging.
Examines technologies such as drone surveillance, webcams, metadata and the resultant effect on racial and cultural narratives Acknowledges that we are often complicit with modern forms of surveillance Brings together multidisciplinary readings of technological advancement into one cohesive and comprehensive volume
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