Details
Teoría y tipología del público según Félix Lope De Vega y Carpio, Monzaemon Chikamatsu y Luigi Riccoboni. Confrontacíon y análisis de tres preceptivas teatrales
1. Auflage
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36,99 € |
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| Verlag: | Grin Verlag |
| Format: | |
| Veröffentl.: | 21.01.2022 |
| ISBN/EAN: | 9783346576866 |
| Sprache: | spanisch |
| Anzahl Seiten: | 104 |
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Beschreibungen
Tesis (Bachelor) del año 2021 en eltema Literatura - Literatura comparada, Nota: Final, , Materia: 2020/2021, Idioma: Español, Resumen: This present end-of-degree project analyses, from a theoretical point of view, offers a vast range of data, such as statistical-like texts and great testimonies, the role the audience holds to change the playwrights’ style, the cinema programmes and even the society’s perception of the show and the spectacle over time.
After the first part, which offers the definition of some key terminology for this study, such as ‘drama’ or ‘audience’, or the innovative concept of ‘heterotopia’ opposed to the idea of the neologism coined by the anthropologist, Marc Augé, ‘non-place’, we will center our attention, during the following chapters, on briefly reviewing the perception of the audience’s effect towards the dramatic spectacle according to the theatrical tenets of some of the most canonical authors from the East and the West.
However, the core of our study will be carried out when we analyse and relate the theatrical preceptive writings penned by Félix Lope de Vega y Carpio, Monzaemon Chikamatsu and Luigi Riccoboni. Thus, some concluding remarks of a synoptic nature will be offered.
After the first part, which offers the definition of some key terminology for this study, such as ‘drama’ or ‘audience’, or the innovative concept of ‘heterotopia’ opposed to the idea of the neologism coined by the anthropologist, Marc Augé, ‘non-place’, we will center our attention, during the following chapters, on briefly reviewing the perception of the audience’s effect towards the dramatic spectacle according to the theatrical tenets of some of the most canonical authors from the East and the West.
However, the core of our study will be carried out when we analyse and relate the theatrical preceptive writings penned by Félix Lope de Vega y Carpio, Monzaemon Chikamatsu and Luigi Riccoboni. Thus, some concluding remarks of a synoptic nature will be offered.
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