Details
The Social Protests of 2020
Visceral Responses to Police Brutality, COVID-19, and Circumscribed Sexuality|
44,99 € |
|
| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 25.05.2023 |
| ISBN/EAN: | 9781666936513 |
| Sprache: | englisch |
| Anzahl Seiten: | 260 |
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Beschreibungen
<p><span>The Social Protests of 2020: Visceral Responses to Police Brutality, COVID-19, and Circumscribed Sexuality</span><span> collects voices from various Black intellectuals </span><span>—</span><span> university professors, a scientist, media communication specialist, poets, a visual artist, and political activists </span><span>—</span><span> to illustrate how the simultaneity of high-profile political events in the summer of 2020 manifest in our consciousness at one time. Reflecting the contributors’ honest visceral responses, the chapters reveal the anguish, sadness, and motivation to act that each of them experienced in light of police brutality, COVID-19, and the Supreme Court's handling of employment discrimination against LGBTQIA+ communities. These voices address, in carefully reflected and theoretically formed ways, those universal feelings that level all human beings, regardless of race, ethnicity, gender identity, sexuality, economic status, and education.</span></p>
<p><span>The Social Protests of 2020: Visceral Responses to Police Brutality, COVID-19, and Circumscribed Sexuality</span><span> collects the reactions of Black intellectuals to police brutality, COVID-19, and the Supreme Court's handling of employment discrimination against LGBTQIA+ communities.</span></p>
<p><span>Chapter I: </span><span>The Space Between Grief and Gratitude: A Letter to My Beloved Friends”</span></p>
<p><span>Ana-Maurine Lara</span></p>
<p><span>Chapter II: “Moving to the Left: Black Response to Structural Violence”</span></p>
<p><span>Wende Marshall</span></p>
<p><span>Chapter III: “People Who Have Done Bad Things: Why the Idea of Police Has Failed”</span></p>
<p><span>Melba Joyce Boyd</span></p>
<p><span>Chapter IV: “Sanctioned Murders: An Epidemic Disease”</span></p>
<p><span>Joyce A. Joyce</span></p>
<p><span>Chapter V: “No Love: ‘Tennis’ in the Era of Pills, Exceptionalism, and Black Lives Matter”</span></p>
<p><span>Gregory E. Rutledge,</span></p>
<p><span>Chapter VI: “Better Late than Never”</span></p>
<p><span>Donna Marie Peters</span></p>
<p><span>Chapter VII: “The Brotherhood Gone Viral: Reading </span><span>Invisible Man</span><span> on #blackouttuesday”</span></p>
<p><span>Margarita M. Castromán Soto</span></p>
<p><span>Chapter VIII: “To Protect and Serve: Medieval Knights, the Police, and Sexual Violence”</span></p>
<p><span>Carissa M. Harris</span></p>
<p><span>Chapter IX: Fieldwork, Flowers, and the Force: A Perspective on Gender Expression, Profession, Race, and Policing”</span></p>
<p><span>Élan R. Alford</span></p>
<p><span>Chapter X: “The Toll of Devaluing Black People’s Humanity Is to Live in a Nation that Will Feel Like Home to No One”</span></p>
<p><span>Yvonne Fulmore</span></p>
<p><span>Chapter XI: “Apocalypse Rot”</span></p>
<p><span>Ewuare Osayande</span></p>
<p><span>Chapter XII: “For B.R.E.A.T.H.E” and “. . . To you”</span></p>
<p><span>Everett Hoagland</span></p>
<p><span>Chapter XIII: “The New Rent Party Or, in the Words of Sonia Sanchez, ‘How Does One Scream in Thunder?’ Asking for a Friend.”</span></p>
<p><span>Quincy Scott Jones</span></p>
<p><span>Chapter XIV: “opus 132 free”</span></p>
<p><span>Yolanda Wisher</span></p>
<p><span>Chapter XV: “Worldstar’s Poetica”</span></p>
<p><span>Edythe Rodriguez</span></p>
<p><span>Ana-Maurine Lara</span></p>
<p><span>Chapter II: “Moving to the Left: Black Response to Structural Violence”</span></p>
<p><span>Wende Marshall</span></p>
<p><span>Chapter III: “People Who Have Done Bad Things: Why the Idea of Police Has Failed”</span></p>
<p><span>Melba Joyce Boyd</span></p>
<p><span>Chapter IV: “Sanctioned Murders: An Epidemic Disease”</span></p>
<p><span>Joyce A. Joyce</span></p>
<p><span>Chapter V: “No Love: ‘Tennis’ in the Era of Pills, Exceptionalism, and Black Lives Matter”</span></p>
<p><span>Gregory E. Rutledge,</span></p>
<p><span>Chapter VI: “Better Late than Never”</span></p>
<p><span>Donna Marie Peters</span></p>
<p><span>Chapter VII: “The Brotherhood Gone Viral: Reading </span><span>Invisible Man</span><span> on #blackouttuesday”</span></p>
<p><span>Margarita M. Castromán Soto</span></p>
<p><span>Chapter VIII: “To Protect and Serve: Medieval Knights, the Police, and Sexual Violence”</span></p>
<p><span>Carissa M. Harris</span></p>
<p><span>Chapter IX: Fieldwork, Flowers, and the Force: A Perspective on Gender Expression, Profession, Race, and Policing”</span></p>
<p><span>Élan R. Alford</span></p>
<p><span>Chapter X: “The Toll of Devaluing Black People’s Humanity Is to Live in a Nation that Will Feel Like Home to No One”</span></p>
<p><span>Yvonne Fulmore</span></p>
<p><span>Chapter XI: “Apocalypse Rot”</span></p>
<p><span>Ewuare Osayande</span></p>
<p><span>Chapter XII: “For B.R.E.A.T.H.E” and “. . . To you”</span></p>
<p><span>Everett Hoagland</span></p>
<p><span>Chapter XIII: “The New Rent Party Or, in the Words of Sonia Sanchez, ‘How Does One Scream in Thunder?’ Asking for a Friend.”</span></p>
<p><span>Quincy Scott Jones</span></p>
<p><span>Chapter XIV: “opus 132 free”</span></p>
<p><span>Yolanda Wisher</span></p>
<p><span>Chapter XV: “Worldstar’s Poetica”</span></p>
<p><span>Edythe Rodriguez</span></p>
<p><span>Joyce A. Joyce</span><span> is professor in the English Department at Temple University.</span></p>
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